Happy International Talk Like a Pirate Day!

Arrrr!

I'm a recent convert to LibraryThing, but if you haven't checked it out yet you should do so today.  They've translated the whole thing into pirate-speak and I can't stop giggling.  (You can turn it off if it gets annoying.)

Update on the #YesGayYA mess (and yes, I'm calling it a mess)

I wish I could say I'm surprised.

It may be misguided to say that I had difficulty accepting the whole "truth" of the article referenced in my last post because what was detailed there was so counter to my own experience, and indeed I may be guilty of making my own generalizations because of said experience, but nevertheless, I did have a hard time buying that the story as it was laid out was true.  As willing as I was to give the authors of that article the benefit of the doubt, accept that something posted on the Publishers Weekly blog had been fact-checked, and not jump to conclusions simply based on my one case, with my one book, I had a nagging feeling at the back of my brain that there was more to the story.

And that turns out to be the case.

On the wonderful Colleen Lindsay's blog today, the truth comes out, a truth which makes it clear that, whether the authors of the original article simply took from that agent interaction what they wanted to hear, or whether different motives were at play, the agent in question - and the whole episode - were wildly misrepresented.  I won't attempt to repeat everything Colleen and her guest blogger, Joanna Stampfel-Volpe, say, I'll just urge you to go and read the post here.

I stand by my opinion that this kind of thing does happen, simply because we live in a world where, well, this kind of thing does happen, sad and unfortunate as that is.  Much of the impetus behind my first post on the subject, however, was my belief that it is dangerous, unhealthy, and sensationalist to bandy about labels like "homophobia" without incontestable grounds for it.  To do so is not just - to put it mildly - unfair to the person about whom it's being said, it also diminishes the power of such labels, and therefore they mean less in situations when it's justifiably called for.

Again, we need more of all kinds of realism in our YA, even in the fantastical, the paranormal, the speculative.  It saddens me that a false route was taken in an attempt to make that point.  That, too, diminishes something powerful.

The fine line between issues and stereotypes

 Warning: rambling post ahead.

Anyone who pays attention to the rumblings of the YA-verse on twitter (as in YA writers, agents who represent them, editors and publishing houses who pub them etc) will have seen today the kerfuffle over this article on the Publishers Weekly blog.  Briefly, it is the story of a writing team who say that a specific (but unnamed) agent would only agree to represent them if they "straightened out" a gay character in their book.

I have Views on this.  Herewith:

For starters, the title of the article is misleading.  It isn't agents (plural) to which the article is referring, it is one agent.  And yes, I believe making that distinction is important.  To generalize in that way is simply another form of exactly the same problem that's being railed against.  You can't generalize a whole profession, a whole industry, by one member of it, in the same way that you can't - and shouldn't - generalize people regarding their sexuality.  To claim that "agents" - without giving specifics - do this kind of thing is sensationalist and misleading. 

I queried a novel with an openly bisexual main character, two other openly gay characters, and an atmosphere indicating that none of this was frowned upon.  I didn't do it because of any Issue, the main character is bi because he told me he was and I couldn't think of a good reason to take it out.  The others are gay because that's how the plot worked.  No part of the book is about sexuality, it's just about people.  Did I get rejections?  Yes.  Did any of those rejections cite the sexuality of the characters as a reason?  Not a single one.  I received two offers of representation, and had phone calls with each of those agents.  In one, it was mentioned only in an "I love that you did that" passing kind of way.  In the other, there was no need to mention it at all.  Off the top of my head I can name half a dozen YA books that contain LGBQT characters that I've read this summer alone.  Agents will take on these books.  Editors will love them.  Houses will publish them.  To claim otherwise is a tactic that leaves a bad taste in my mouth.

Why?  Oh, I don't even know where to start on the reasons, but it's mostly these: because it will scare people off writing books with a full representation of the spectrum of humanity, and authors will self-censor before those nameless, faceless agents get a chance.  Because authors will get more militant about "standing up for the cause" and the books will wind up being "issue books" about nothing other than sexuality, and that's a huge, undesirable problem.  Being defined by one's sexuality is exactly what most LGBQT people I know don't want.  They're people, not walking lists of who they sleep with.  In fact, I don't know any straight person who'd want to be defined by that list - rarely would it paint an entirely flattering picture of the person in question.

It's easy to get upset when reading an article such as the one linked above, and it's easy to take up arms for the cause, especially when everyone else is.  (Look up the #YesGayYA hashtag on twitter to see a good example.)  And I have nothing but respect and admiration for anyone who does look at something like this happening and thinks, this is wrong.  This shouldn't happen.  I agree.  It is and it shouldn't and I have absolutely no doubts whatsoever that it does happen, daily and behind closed doors and in closed minds.  The thing is, though, that you don't get to pick which generalizations and stereotypes are okay to perpetuate and which ones are Issues.  You can't, on one hand, say, "Agents do this and it is WRONG, everyone fight back!" but, at the same time, complain that YA novels (or any other subset of fiction) contain stereotypical, white-bread characters and that needs to be changed.

In short, you can't rail against the generalization of sexuality but lump an entire profession into the category of all having one single, unified opinion on said sexuality.

Even if you read the article, don't generalize, and accept that it was one agent who did this...well, so what?  Sure, it's possible that they were being guided by personal beliefs, but equally possible they were being guided by what they thought might sell.  Agents misjudge what might sell all the time, and you only have to read about [insert NYT-bestselling author here] getting 50 rejections before landing an agent to know that.  There are hundreds of agents who don't represent what I write, and hundreds of agents who represent what I don't write.  There are agents who request edits from their authors that turn out not to be the right editorial choices.  I personally know at least three people to whom that's happened.

That doesn't make the gap between author and agent an Issue.  It makes that agent not the right match for that author.  Nothing else.

And to add to what I'm sure is a list as long as my arm of unpopular opinions I hold, I'm not at all sure that the battle-cry of "we need more X" (where X equals any kind of minority or difference from the "norm") isn't part of the problem.  Do we need more gay characters in YA?  Yeah, we probably do.  We also need more kickass girls and fewer assholes and more non-catty relationships between BFFs and a whole host of other things.  We need more realistic people in our books, however those people manifest.  Defining anyone, be it an actual human or an imaginary creation, by one particular aspect of who they are is a slippery slope that, I think, subtly but surely teaches us to view them as one-dimensional.  Not good for a person, not good for a character.  Open-mindedness is about more than accepting one whole facet of a person.  It's about accepting that they have four thousand whole facets and each of them deserve attention.

Go. Buy music. Now. (A huge victim of the London riots.)

Among the many casualties of the riots that took place in London and elsewhere this week, one hit especially close to my heart.  I don't for a second want to trivialize the horrors of injuries and in some cases loss of life that occurred, and my heart goes out to those people and their families.  I spent several nights worrying about the people I know and love who live there, though thankfully they're all fine.

However, there was one tragedy which, while not causing any direct human damage, will seriously affect an entire group of people for whom I have respect, admiration, and even love.  A Sony/PIAS distribution center was burned down during one night of rioting, a distribution center for a very large number of small, independent record labels.  Labels for bands like The National, Arcade Fire, Bon Iver, Atlas Sound, Bauhaus, The Pixies, Animal Collective, Elliot Smith, Okkervil River, Iron & Wine, The Shins, and hundreds of others you and I may or may not have heard of have, in some cases, lost their entire stock of hard-copy albums.  These are artists I love, artists I support, artists I listened to on endless repeat while they helped me write my book.  Artists who instilled such a love of music in me that I felt compelled to write the book I did.  None of them make enough money and many of their record labels are in real danger of going out of business for good, unable to cover what insurance isn't going to.

I'm doing my best to keep this soapbox as low to the ground as possible, and I actually debated about posting this at all, but I have to.  A huge source of inspiration for me just - literally - went up in flames.  Artists can survive without their record labels, just as self-published authors can be successful without agents or publishing houses, but it's possible I'd never have heard of some of them, or it would've taken me a lot longer to discover music I love.  It's even more likely that the Next Big Thing was in that warehouse, the next musician to grab hold of my ears and my heart, and now that CD or vinyl will never see the light of day because the label that was about to release now can't afford to.

And so I ask this.  If there are record labels populated by musicians you love, particularly any on this list (at the bottom of the article), please support them and in turn those musicians.  Buy digital copies through iTunes or Amazon or however you do such things and help out, even if it's just the cost of one CD, or one song.

If you'll excuse me, I'm going to go cry for the loss of all that vinyl.  I'm a purist, what can I say.

xoxo

Old news can still be good news

Yes, this is an old thing I'm linking to (old in the web-sense, which means it's from last year) but it's interesting and music-related and actually something I thought about a lot while writing Weird Novel, though nothing like it was ever included.

Two notes on this:  1, if you aren't familiar with The Apples in Stereo, check them out.  2, if you've never heard of one, a theremin is an instrument you play without touching it - and that's pretty cool in and of itself.

Mind-Controlled Theremin

If that's just a little too weird for you, or maybe you want something more physical and less mental, Imogen Heap recently invented these: Hi-Tech Musical Gloves and I'd give an eyeball for a pair.  Not mine, but, you know, someone's. ;)


White Blank Page is live!

As promised, here's the link to my critique group's blog: White Blank Page

10 points to Gryffindor for anyone who catches the musical reference.  Anyone who doesn't needs to drop whatever they're doing right now and go familiarize themselves with Mumford & Sons.

xoxo

No rest for the wicked (and I don't want there to be)

It's a busy busy time.  I might, in a moment of madness, even go so far as to refer to myself as a bee. 

But busy is a good thing, especially the things I'm busy with.  I'm now officially free to start making real headway on Second Novel - YAY!  (Not that I wasn't free to before, but other things took precedence.)  I'm SO excited to be really writing again, or at least to be staring the blank page in the eye.  Brainstorming comes first, and that in itself is a ton of fun.  I've got a great piece of mind-mapping software that lets me go off on all kinds of crazy tangents and keep track of ideas both utterly lunatic and potentially viable.  As much as I'm a "pants" writer (as in, by-the-seat-of, I do very very little outlining) I do need to know where I'm going to start, some major events along the way, and where I plan to end up.  Everything else, well, I trust that my mind and the words will take me to the right places most of the time, and that I'll be able to do a U-turn when I wind up on the wrong track.

Caffeine: check.

Second Novel playlist: check.  (This will probably change as I get down to specifics, but for now I have one that suits the overall mood.)

Brainstorming file open: check.

A Google history full of truly bizarre searches: check.  This is one of the funniest things about being a writer.  I think most of us must be on watch lists somewhere.

Ready to go!  I'm so excited.

On a somewhat related note, my online critique group is setting up a blog.  We're all at different stages of the writing game and will all be talking about where we are in the process, how we write, etc.  I'll be blogging about writing Second Novel here, but will also be doing it there and will post a link just as soon as the blog goes live.

Happy writing!

xoxo